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ESCALA

for voice, 2 electric guitars + objects and sampler
2017

Written for and commissioned by Calato through FNA (National Fund for the Arts – Argentina

About the piece: compress, compress, compressss

audio coming soon…

ANTENA

for Alto Saxophone, prepared Vibraphone and Double bass
2017

Commissioned by Ciclo de Conciertos de Música Contemporánea de Buenos Aires
Trio: Luzardo – Navarro – Keoroglanian

In a cold and quiet night in the plains of Santa Fe you can hear the buzzing of radio transmission antennas. Out of service since the first days of cell phones, with their red lights still pulsating forever. When I was a kid I used to stay late to listen to the continuum, waiting for signals in the sky.

DWARF MOUNTAIN

for Bass/Piccolo Flute – Soprano/Contrabass Clarinet, prepared Harp, Percussion + vst instruments and sample
2017

Based on Argentinian Alberto Laiseca’s short story Contemplación del Gran Madero, in which a general in the East learned to meditate by observing a small, wooden cube in a sand garden in his studio. Meditating, he imagined that his army came across a large structure of the same shape, wondering if it was natural or man-made, trying to understand what it could be.

premiered by Ensemble Adapter

DROP OF MERCURY

for two saxophones and electronic intermissions
2018

Four ambiences projected from the shiny inside of the saxophone tube. A vague connection keeps them together between the sudden drops of mercury

Written for Patrick Stadler and Geoffrey Landman duo

audio coming soon…

AMOEBA

For two performers, amplified objects, microscopes, electronics and video
2018

Amoeba is a throbbing texture, densely populated by communities of audiovisual microorganisms, that spread through the space of the venue. By walking through this structure the audience submerges in the “micro-dramaturgie” of ephemeral gestures that overlap, leak, repel, or merge into each other, forming altogether a thick, complex polyphony ever changing in the small details. Thus the attendants become “dynamic receptors” which modulate their individual experiences by collecting the details of the given totality. The piece is multimodal environment in which the audience, the space, images, electronic sounds and concrete materials were merged into a single unity. It is about the meticulous observation of simple movements, zooming into the complexities of a living organism.

site specific & concert version dur. 45′
Published on vinyl and digital by Total Silence Cologne

In collaboration with reConvert project
Visuals by Ramiro Iturrioz
Masks by Flor Balbis

Excerpt of the concert version, Rotterdam – 2018

THE ULTIMATE DISTRACTION

For Flute/picc, Clarinet Bb/Bass, Percussion + Sampler, Piano/Keyboard, E-guitar, Violin and Cello 2019

The ultimate distraction usually refers to the latest developments in gadgets whose function is passive entertainment and ephemeral durability. These accessories are governed by the transience of the market, which constantly replace or update them, rewarding their users with an experience of permanent distraction.

Commissioned by Centro de Experimentación del Teatro Colón. (Cetc)
Written for Tropi Ensemble

BOT

For mixed voices, two flutes, electronics and video
2019

Visuals by Ramiro Iturrioz
Texts by Bárbara Wapnarsky
To be Premiered on October 8th 2019
Written for Nonsense Ensamble Vocal de Solistas, Dúo Mei
Commissioned by Ciclo de Música Contemporánea – Teatro Nacional Cervantes

01.11.17

Antena, premiered by Luzardo/Navarro/Keoroglanian Trio @XXI Ciclo de Conciertos de Música Contemporánea del Teatro San Martín, Buenos Aires